摘要
鲁迅开创的现代乡土小说模式,是"五四"乡土小说及其后的重要乡土小说作家和流派的被模仿式。在鲁迅的乡土小说中,并存着改造农业社会国民劣根性的使命感与哀怜同情农民的儒者之心,这两种文化价值在其中所形成的理念叙述的冲突,造成了作者对传统的"乡土中国"两种情感——"深刻的批判"与"深刻的眷恋"的混合;从而,也使其乡土小说创作的悲剧审美形态呈现出两种不同的风格特征——酒神的悲剧精神与柔美的田园牧歌相杂糅的表现形态交错出现。
The Model of modem rural fiction was originated by Lu Xun, and imitated by his contemporary writers and belated followers, which developed into one of the most important school of the Chinese new literature. In his own rural fictions, Lu Xun revealed that he was both a sharp critic and compassionate Confucian, who intended to remake the degraded national personality rooted in an agricultural society, while he had sympathy for the peasantry. However, these two seemingly conflicting attitudes make his narrative more complicated, woven with deep criticism and profound attachment. Therefore, Lu Xun＇s rural fictions are characteristic of the tragic spirit of Dionysus and beautiful pathos of the pastoral, which combines two antithetical styles.
出处
《长江学术》
2014年第4期13-19,共7页
Yangtze River Academic
基金
2010年教育部人文基地重大项目<中国乡土小说研究的百年流变>(项目批准号:10JJD750012)
关键词
鲁迅
乡土小说
文化价值
审美形态
悖反
Lu Xun
Rural Fiction
Cultural Values
Aesthetic Form
Paradox
