摘要
中国现代文学的半殖民现代主义性质不仅在抗战以前的海派和京派文学以及抗战时期张爱玲的小说中广泛存在,也表现于抗战时期的北平文坛。除了中国人在正面和敌后战场的顽强抵抗使侵略者无法以彻底的文化殖民控制北平文坛之外,吸收了欧美现代主义的非官方京派文人也使半殖民现代主义在北平沦陷区得以继续存在。即使官方文人如周作人和沈启无等,也因其早已根深蒂固的半殖民现代主义文学立场而无法在文学层面跟上日本军国主义的文化殖民节奏。
Semi-colonial modernism can be discerned not only in literature of Beijing and Shanghai prior to the Anti-Japanese War and in Zhang Ailing＇ s novels during the Anti-Japanese War but also in the literary arena of Beijing in the period of the Anti-Japanese War. In addition to the staunch resistance of the Chinese troops at front and rear battlefields which prevented the Japanese aggressors from utterly controlling the literary arena of Beijing culturally, unofficial scholars of Beijing exposed to western modernism had also striven to preserve semi-colonial modernism in then Beijing. Moreover, even official scholars such as Zhou Zuoren and Shen Qiwu, etc. who were deeply rooted in their semi-colonial modernism, could not keep up with the pace of cultural colonization of Japanese Jingoism.
出处
《海南师范大学学报（社会科学版）》
2014年第6期14-19,共6页
Journal of Hainan Normal University(Social Sciences)
基金
教育部人文社会科学青年基金项目"抗战时期北平诗歌研究"(10YJC751008)
广东省高等学校优秀青年教师培养计划资助项目(Yq2013124)
关键词
抗战时期
北平文坛
半殖民现代主义
周作人
沈启无
the period of the Anti-Japanese War
the literary arena of Beijing
semi-colonial modernism
Zhou Zuoren
Shen Qiwu
