摘要
杨瑞松通过对"病夫"、"黄祸"与"睡狮"等三个近代"西方"中国/中国人形象的考察,指出近代中国知识分子对这些符号的"挪用和重编",使它们成为百年来中国人共有的集体记忆符号。这些符号的国族化过程,也存在德里克所言的"自我东方化"现象。国族符号由于具有区别"我族"与"他族"、强化"我族"自我认同的效用,使它们成为中国近代国族建构想象中的重要元素。
Through studying 'Dong Ya Bing Fu( sick men in East Asia),Huang Huo( yellow disaster) and Shui Shi( sleeping lion) that were used to refer to the image of China and Chinese by the west,Yang Ruisong pointed out that the quotation and recoding of these symbols by modern Chinese intellectuals made them common collective memory symbols of Chinese for a hundred years. These nationalized symbols became important factors in national construction imagination of modern China.
出处
《史林》
CSSCI
北大核心
2014年第4期179-183,191,共5页
Historical Review
