摘要
明代戏曲创作,是我国戏曲史上继元杂剧之后的又一高峰,它的戏曲思想以教化论和主情论为主,其流变大致经过了教化论的高扬——教化论的极致表达——主情论的提出以及对教化论的反拨——主情论的泛化与恶性张扬——向教化论的适当回归几个阶段。
The opera ＇creation in Ming Dynasty marks another peak after zaju during Yuan Dynasty in China＇ s opera history. Its operatic idea is mainly supposed to be enlightenment and sentiments. The evolvement has undergone the following stages： exalted indoctrination theory; extreme expression of enlightenment; sentiments----put forward and oppose against enlightenment; and appropriate return to enlightenment ideas.
出处
《天水师范学院学报》
2013年第5期103-106,共4页
Journal of Tianshui Normal University
关键词
明代戏曲思想
教化论
主情论
流变
opera idea in Ming Dynasty
enlightenment
sentiments
evolvement
