摘要
文学作品中的模糊言语是写作者出于特定的表情达意的需要,利用模糊语言语义的不确定性和接受者理解的灵活性、多样性而精心创造出的一种有着不定性、非量化为特征的艺术化的语言。这种艺术化的语言具有一种再造功能,它有效地弥补了人类语言表现力不足的缺陷,不但能够惟妙惟肖地传达出言语表达者的意旨所在,而且还可以使作品形成大量的艺术空白,给读者留下一个可供把握和理解的活性空间,既让读者在似与不似、真实与模糊之间领略到写作者的弦外之音、言外之意,从而获得一种文学审美愉悦,又使作品呈现出意境美,形象美,变形美。
In literary works, authors, for the special purpose of conveying ideas or feelings, have deliberately created fuzzy speech characterized by uncertainty and unquantification by making advantage of the semantic uncertainty of fuzzy lan-guage and the receivers' flexibility of understanding. This kind of artistic language has a reconstruction ability to effectively remedy a defect of language expression and it not only vividly conveys the author's meanings, but also leaves a large margin for readers to imagine, so much so that readers may acquire an literary aesthetic pleasure from between reality and fuzziness and at literary aesthetic pleasure from between reality and fuzziness and at the same time the works are endowed with conception beauty, image beauty, and distortion beauty.
