摘要
费穆的《小城之春》站在中国民族文化及其传统的一边,吸纳了现代电影的种种观念与技法,吸收了其他影片特别是戏曲片的长处,以其舒缓的节奏、富于变换的长镜头和空间表现,直接传达出大量叙事难以表达的思想信息,形成奇特、复杂、含蓄的表演特点。诗文艺传统在电影中的复苏与再现,使电影艺术达到中国古典美学中诗的境界。它具有中国电影的民族性特征,是费穆电影艺术水平的高峰。
The movie titled The Spring of the Town, which is directed by Fei Mu, holding its national culture posi-tion, employs all kinds of ideas and techniques of modern movies and absorbs the merits of opera movies. Through usingthe methods, the movie conveys much information, which can hardly be expressed by narrating. Consequently, the movieshows a kind of classical poetic taste. The movie, which possesses the national characteristics of Chinese movies, standsfor the peak of the development of Fei Mu's movies.
出处
《湖南大众传媒职业技术学院学报》
2002年第2期40-44,共5页
Journal of Hunan Mass Media Vocational and Technical College
