摘要
80年代,中路城市化进程的加快,给我们的建筑创作带来了令人不安的矛盾和新的难度。处在这样一个关键性的时期,越来越多的中国建筑师开始认识到,城市建筑的文脉来自城市空间领域的自然环境和人文环境,而这个文脉则又是通过建筑风格来反映城市总体风貌的。图1的比喻大体上表示了环境、文脉与风格之间的总体关系。环境以及环境意识的含义相当广泛。
Now we are facing more serious challenge in the formation and development of the diversified styles of architecture in cities of china.How can we successfully control the whole view and maintain the identities of cities in this diversifying trend?We can be conscious of these basic points:Diversified styles are related to the macro-space;Although it is impossible for a city to be unified in an architectural style,but the area of distinctive styles can be built according to the general planning of city;Yet the area of distinctive style in the city should make suitable and wise choice.One implicating factor of“context” is to“cut-off”something irrelevant,including what some people favour.Without the cutting of some favoured parts the distinctive feature could not be created.
出处
《新建筑》
1991年第1期7-8,共2页
New Architecture
