摘要
作为西湖十景之一的"雷峰夕照"在13到16世纪可能经历了一个变化:观看重点由"孤峰犹带夕阳红"的山峰逐渐向雷峰塔转移,而16世纪开始残破的雷峰塔也没有减损"雷峰夕照"的吸引力,反而开始改写景观的内涵,成为画家反复描绘的母题。本文围绕明清时期的雷峰塔图像展开,讨论中国古代如何观看和再现"遗迹",以及"遗迹"如何成为风景。
The scenery of Leifeng Pagoda in Evening Glow(Léi Fēng Xī Zhào),one of the ten representatives of the West Lake,has been attractive with the pagoda monument more than the mountain peaks in the past hundreds of years from 13th to 16th century and later.The damaged pagoda has reinvested Leifeng Pagoda in Evening Glow(Léi Fēng Xī Zhào) with new meaning that has become the motif of landscape for many artists.With the analysis of the Leifeng Pagoda image above,this paper probes into the way that historical monuments are perceived and impressed and they make the landscapes.
出处
《故宫博物院院刊》
CSSCI
北大核心
2019年第1期59-76,109,共19页
Palace Museum Journal
关键词
雷峰夕照
图像
再现
the scenery of Leifeng Pagoda in Evening Glow
image
representation
