摘要
在张爱玲的笔下,被形容的不论是特殊情景中的风景还是某种抽象的情绪,通常都表现出一种“以实写虚”的倾向,聪明的比喻被发展成了充满暗示的丰富意象,而大量琐碎奇绝杂色质感的物化意象,则成为作家在对于苍凉的感悟中对抗恐惧的一种方法。
Under the pen of Zhang Ailing, no matter what she described was the scenery in a special situation or a certain abstract feeling, she always displayed a tendency of writing something fictitious by something actual'. Those clever metaphors were developed into abundant images full of suggestions, and plentiful trivial and colorful objectified images turned to the writer' s method against fears in her understanding of desolation.
出处
《华东师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2001年第5期169-175,共7页
Journal of East China Normal University（Humanities and Social Sciences）
