摘要
鲁迅在日本留学时期就形成了"真的人"的观念。在《呐喊》中,这一文化理念演化成一系列具体可感的人物形象,经历了"真的人"的高端呈现到"真的人"回归民众之过程。这个形象演变的过程不仅体现了《呐喊》中人物形象间的关联,也展示了鲁迅揭露封建文化弊害首在"立人"即塑造"真的人",进而"立国"的内在逻辑理路。
The concept of ＂Zhen De Ren＂ by Lu xun is formed during his study in Japan, which is the integration of the excel- lent elements in the Chinese and western eulture. In Na Hart, this cultural conception has evolved into a series of character images, experiencing from the ＂to save the children＂ to rickshaw puller, young RunTu and childhood playmates in his hometown. In the process of system evolution of these images, we Can see not only the correlation between characters in Na Han hut also the inherent logic due that Lu Xun uncover the siekness of Chinese feudal culture in order to ＂Li Ren＂, and then to save the nation.
出处
《中国文学研究》
CSSCI
北大核心
2014年第3期90-92,115,共4页
Research of Chinese Literature
