摘要
通过追溯女性主义与空间问题的关系，借用特纳的阈限仪式、福柯的异质空间概念，从空间与主体生成的角度，分析女性主义、空间地理和后现代主义之间的微妙关系，从而说明在后现代社会的性别表演中，以化妆间为代表的异托邦才是女性性别身份和颠覆性表演的重要空间。
This paper starts with the history of the relationship between feminism and space and utilizes the concepts of Turner＇s liminality ritual and Foucault＇s heterotopias to analyze the delicate relationship among feminism, space and postmodernism from the viewpoint of space and the formation of individual subject. The conclusion is that heterotopias like dressing room are the vital space of female gender identity and subversive performance in the post-modern context.
出处
《美育学刊》
2014年第3期59-65,共7页
Journal of Aesthetic Education
关键词
后现代语境
异托邦
女性
空间
性别表演
the post-modern context
heterotopias
female
space
gender performativity
