摘要
"口头诗学"(oral poetics)作为一个出现未久的批评方向,其专属的术语体系和理论方法,尚需作出系统的梳理。特别是,口头诗学与文学界常说的"诗学"之间是什么关系,也较少见到深入系统的讨论。不过,晚近国际人文学术的发展,尤其是口头传统研究的深入,已从若干方面为口头诗学的登堂入室,作了大量准备。本文以口传史诗的文本研究为主线,从学术史的角度讨论口头诗学的演成、发展及其理论模型。
Oral Poetics is a recently emerged label coveting those research works differentiating themselves methodologically from traditional poetics generating from written literature and focusing on understanding and in- terpreting oral literature, or verbal arts in general in somewhat different terms and methods. Though not widely ad- mitted in literary circle, the recent development of studies on oral tradition, communication technology, folkloris- tics, anthropology, and cultural critique, has laid down a foundation for the appearance of oral poetics. The present paper intends to follow up the evolution and theoretical model of oral poetics based on analyzing oral epic text.
出处
《西北民族研究》
CSSCI
北大核心
2014年第2期5-15,20,共12页
Journal of Northwestern Ethnic Studies
关键词
口头诗学
诗学
文本
互文性
口传史诗
理论模型
oral poetics
poetics
text
intertextuality
oral epic
theoretical model（see P.5）
