摘要
游士自视为士人阶级并努力向士大夫靠近,但其社会身份却更接近平民。游士议政诗歌具有士大夫般的忧时忧国情怀,却因为过于激烈直白而被质疑为卖直钓名、粗豪亢厉之作;游士诗歌力求风雅,却被视作矫语高蹈的伪风雅;游士诗歌情调语调通俗,却与平民赏爱的话本、杂剧、南戏尚有一点距离,无法被庶民百姓广泛接受。游士阶层介乎士大夫与平民之间的中间游移性质,使其诗歌成为传统文体大幅度变革的载体,是南宋文化转型以及文学转型时期一个士庶交接、雅俗杂糅的文学形态,也是俗文学冲击下雅文体之俗化达到了临界点的标本。
The middle class regard themselves as the scholar class and try to move towards the literati, but their social status are closer to the civilians. Their politics poems have worry obsession feelings like the literati, but considered as rude or working for fame because they are too intense and frank. The middle class tried to make their poems elegant, but considered as pseudo elegant pose. They made the sentiment and tone of poems common, but still had a distance from the civilian？s favorite poetic drama, story-telling script novel and southern drama, so that they were unacceptable. The middle class unstable nature between the literati and civil-ian made poems not only become the carrier of the traditional style of poetry when it greatly changed, but also become a miscellaneous transition literary form between gentry and civilian during the period of cultural and lit-erature transformation in Southern Song Dynasty. Moreover, it became the specimen that the vulgarization of el-egant culture has reached the critical point under the impact of folk culture.
出处
《阅江学刊》
2014年第2期99-104,共6页
Yuejiang Academic Journal
基金
国家社科基金项目"宋代唱和诗歌文化研究"(11BZW048)
关键词
南宋中后期
游士阶层诗歌
雅文体俗化
临界文学标本
the Mid to Late Period of Southern Song Dynasty
the poetry of the Middle Class
the vulgar-ization of elegant culture
specimens of critical literature
