摘要
本文从袁枚《随园诗话》的长篇形式与乾隆盛世全社会作诗的对应关系,袁枚"性灵"诗观的非理论形态,袁枚早达早退的生活方式与乾嘉诗学、考据学各成专门之学的因果关系,中国女性被其"整体"地推上诗坛等几个方面,对《随园诗话》这一部人尽皆知的名著之实质,重新进行了诠释,而诗话与诗说二体的区别,也在乾隆盛世诗学的繁荣中为人所更易见。
This paper examines the following important issues ： how the great bulk of Suiyuan shihua （ Remarks on poetry from the harmony garden） reflects the prevalence of poetry writing during the Qianlong reign period; how Yuan Mei＇s early retirement from official life and the non-theoretical nature of Yuan＇s concept of ＂nature and inspiration＂ reflect the successful development of poetic theory and evidential studies during the Qianlong and Jiaqing eras; and how the number of Chinese female poets increased significantly during Yuan Mei＇s time. This paper aims to redefine the significance of Suiyuan shihua and elaborate the differences between shihua （＂ poetic remarks＂） and shishuo （ ＂poetic talks＂ ）.
出处
《复旦学报（社会科学版）》
CSSCI
北大核心
2014年第1期100-113,共14页
Fudan Journal（Social Sciences）
关键词
袁枚
《随园诗话》
性灵诗潮
Suiyuan Shihua
nature and inspiration movement
