摘要
中国漆艺于汉代起大量传延至韩国,在当代,韩国漆艺跻身世界前列,漆艺质量"青出于蓝而胜于蓝",优于中国。韩国现代漆艺在民用中追求至善之美,在时尚中传达极致之美,在宗教中寻觅至静之美,在自然中演绎精细之美。韩国漆艺美学思想昭示:漆工艺不仅是传统工艺本身的问题,还关乎"文化立国"的经济立场与艺术身份的层面。
Since the Han Dynasty, Chinese lacquer art had begun to mass flow to South Korea. In mod- em society, South Korea ranks among the world~ top lacquer countries, and its lacquer quality shows ＂the students surpass the teacher ＂, walking in the front of china. Korean modem lacquer art is pursuing the per- fection in civil use, communicating the exquisiteness in the fashion, seeking static beauty in religious, and interpreting finess in the natural. The aesthetic ideology of Korea lacquer art shows that lacquer art is not on- ly the traditional process itself, but related to the economic position and artistic identity level of Culture foun- ding the country.
出处
《中国生漆》
2013年第3期9-14,共6页
Journal of Chinese Lacquer
关键词
韩国
当代漆艺
文化立场
Contemporary Lacquer Art
Cultural Position
