摘要
张爱玲长篇小说《怨女》是由其中篇小说《金锁记》改写而成,是作者在新的时空背景下对女性悲剧的再次书写;比之于《金锁记》,《怨女》的女主人公形象则由"癫狂"转变为"庸常",叙述方式由外视角转向了全知式的内视角,叙述风格由炽热超拔渐趋沉稳理性;其改写体现了张爱玲追求更高艺术标准的内在要求和面向海外阅读市场的创作自觉。
The novel Rouge of the North is adapted from the novella The Golden Cangue written by Eileen Chang, which was the rewriting of female tragedies under the new time and spatial background. Compared with the The Golden Cangue, in Rouge of the North, the heroine changes her ＂madness＂ into ＂trivialization＂ and the narrative also has been changed from outside perspective into inside perspective. Meanwhile, the narrative style of the novel becomes more and more rational gradually. In short, the rewriting of the novel reflects the pursuit of higher artistic standards and the creative consciousness on overseas market.
出处
《湖南工业大学学报（社会科学版）》
2013年第5期105-109,共5页
Journal of Hunan University of Technology(Social Science Edition)
关键词
张爱玲
《金锁记》
《怨女》
女性悲剧
Eileen Chang
The Golden Cangue
Rouge of the North
female tragedy
