摘要
澳洲女作家伊丽莎白·乔利享有世界声誉,但令人遗憾的是她的国内知名度并不高,代表作《井》也没有赢得它应有的关注。现有的文学批评多关注其后殖民视角。事实上,作为一位文风诡异多变的作家,乔利的小说值得多角度地深入理解。女性哥特小说是其文风中一个重要特点。乔利运用女性非线性叙述模式,塑造了赫斯特和凯瑟琳这样的女性边缘人物,有别于传统哥特小说的猎奇,乔利关注更多的是人物性别、等级和情感关系。在传统哥特小说的外衣下,乔利文笔鲜明地表达了现代人物间的关系困惑和多元文化视角下的共生关系,否定了传统的理性和权威。
The Australian author Elizabeth Jolley has a world-famous reputation, but unfortunately her name was rarely received in China, and her work The lib// has not earned its worthy concern. Much attention of literary review was paid upon its post-colonial feature. In fact, as a writer of varied and changeable style, Jolley^s work needs analysis in depth, among which the female gothic novel is one of the most representative elements. In use of female non-liner narrative mode, Jolley creates marginal characters like Hester and Kathe~;ine. Different with the traditional gothic novel whose aim is mainly focused on seeking novelty, Jolley concerns more about characters~ gender, status and emotional issues. In the cover of traditional gothic novel, Jolley expresses the dilemma between modern people and the coexistence in the sphere of diverse culture and turns down the authority and rationalism.
出处
《安徽农业大学学报（社会科学版）》
2013年第5期103-108,共6页
Journal of Anhui Agricultural University:SOC.SCI.
