摘要
香港粤剧在20世纪50年代后期达到鼎盛的原因,并非只是由于政治宽松、创作自由所致。从史料中发现,当时香港和广东两地粤剧无论是剧目建设、剧团改制还是艺术风格的追求等诸多方面都有相似之处,且香港粤剧改革发生的时间点都略晚于大陆,由此可见,在大陆"戏改"政策引导下的广东粤剧改革,直接或间接地影响着香港粤剧,并对其发展起到良好的推动作用。
The late 1950＇ s saw the prime of Hongkong Cantonese Opera and that is not simply due to the more tolerant political policy or more artistic freedom in HK. Careful studies of the historical materials lead to the discovery—— the 1950＇ s witness a number of similarities between Hongkong Cantonese Opera and Guangdong Cantonese Opera, in repertoire development, troupe reorganization, the ideal of artistic style and so on. Moreover, the reform of Hongkong Cantonese Opera happened slightly later than that in the mainland of China. Therefore, the reform of Guangdong Cantonese Opera guided by ＂the Reform of Traditional Chinese Opera＂ in the mainland of China produced an effect on the Hongkong Cantonese Opera directly and indirectly, and has thus promoted the development of Hongkong Cantonese Opera.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2013年第4期24-34,共11页
Drama:The Journal of the Central Academy of Drama
关键词
戏改
香港
广东
粤剧
Theatrical Reform, Hongkong, Guangdong, Cantonese Opera
