摘要
本文比较全面、系统地介绍了自1982年台湾剧作家姚一苇的《红鼻子》被首次搬上大陆舞台以来,台湾戏剧在大陆上演的种种情况。文章指出,这一文化现象不但促进了两岸的文化交流,而且为两岸戏剧的繁荣和发展起到了积极作用。
This article makes a comprehensive and systermat-ic exposition of the Performances of Taiwan's plays on stage of China mainland after Yao Yiwei' s 'Red Nose' was first played in mainland in 1982. It points out that this cultural phenomenon, in addition to promoting the cultural exchange between both sides of the Taiwan Straits, has played and is playing an active role in the prosperity and development of the theatrical cause on both shores of the Taiwan Straits.
出处
《戏剧艺术》
CSSCI
北大核心
1995年第3期57-65,共9页
Theatre Arts
