摘要
热拉尔·热奈特的"副文本"观念,作为一个特定的文学批评术语,其含义有一个变化的过程。副文本的理论特色在于:一方面,它强调文本中作者意图的可知性;另一方面,它将文学图像作为一种文本因素纳入了文学研究的范畴。因此,副文本理论对于文学研究来讲,由于对作品原旨的强调,可以防止无边的过度阐释,同时,也便于研究者以广阔的视野对文本进行多维研究。
Gfrard Genette is one of the most influential critics in contemporary France, and the meaning of his ＂vice text＂ concept as a specific literary criticism term experienced a process of change. The theoretical feature of paratext includes two aspects： on the one hand, it emphasizes we can see the author＇s intentions in the text; on the other hand, it makes literary image as a textual factor in cluded in the scope of literary studies. Therefore, as far as the study of literature is concerned, the paratext theory can prevent boundless overinterpretation of texts because of its stressing of the orig inal purpose of the work, and it also help researchers to study literary texts multidimensionally in a broad perspective.
出处
《宝鸡文理学院学报（社会科学版）》
2013年第3期92-96,共5页
Journal of Baoji University of Arts and Sciences：Social Science Edition
基金
河南省教育厅2012年度人文社科研究项目:20世纪前期的文学书刊图像研究(2012-QN-249)
关键词
副文本
文本阐释
文学图像
paratext
text interpretation
literary image
