摘要
日本古典文艺理论"物哀"一直以来都是日本文学研究领域的热门话题,但其研究素材大都集中在《源氏物语》及其周围文学作品中。《古今和歌集》成书早于《源氏物语》近百年,在该和歌集里,读者同样可以品味出"物哀"思潮,该时期的"物哀",渗透着平安朝时期诗人内心的孤独和凄凉,其孤独之美,也正是和歌细腻而不乏情感的特色之体现。
Japanese classical art theory ＂mononoaware＂ has been a hot topic in the Japanese litera- ture research, while most of researches just focus on Genjimonogatari and those related literary works. The work of Kokinnwakasyu was finished almost 100 years earlier than Genjimonogatari. The author states that readers can taste the thought of mononoaware presented in many works of it. Mononoaware in this period embodies authors＂ loneliness and bleakness from their inner hearts. Such beauty of loneliness is the very representation of delicate and affective wakasyu .
出处
《宝鸡文理学院学报（社会科学版）》
2013年第3期80-83,共4页
Journal of Baoji University of Arts and Sciences：Social Science Edition
关键词
《古今和歌集》
物哀
孤独感
审美
Kokinnwakasyu
mononoawar loneliness appreciation of beauty
