摘要
学科意义上的城市美学既不从属于城市规划,也不等同于景观设计,它以城市及主体的审美意识和全部活动状态为研究对象,其通过对主客分离的审美模式的突破来完成对传统美学的超越,而从"艺术哲学"走向"城市美学"意味着传统"如画性"的审美模式转向当下"多感官体验"的审美模式。
City aesthetics in the scientific sense is not subsumed under urban planning and is not equivalent to landscape design. Rather, with the city and the subject＇s aesthetic awareness and activities as the research subject, it tries to surpass the traditional aesthetics by breaking the aesthetic mode of the subject-object separation. Changing from ＂the philosophy of art＂ to ＂city aesthetics＂ means that ＂picturesque＂ aesthetic mode changes to the present ＂multisensory experience＂.
出处
《新疆大学学报（哲学社会科学版）》
CSSCI
2013年第2期119-122,共4页
Journal of Xinjiang University(Philosophy and Social Sciences)
基金
教育部人文社科青年项目"空间的现代性想象--新时期文学中的城市景观书写"(12YJCZH075)
阜阳师范学院青年"空间文化背景下的文学书写和城市叙事研究"(2011FSSK03)
关键词
城市美学
艺术哲学
审美经验
City aesthetics, Philosophy of art, Aesthetic experience
