摘要
指出福建著名剧作家陈仁鉴的莆仙戏《团圆之后》是"十七年"戏曲改革力作之一。而在左倾思想日趋泛滥的政治环境下,该剧被迫按照政治工具论话语作了数次修改,但它的写作与修改过程始终未脱离五四启蒙主义的立场,表现出丰富的人性内涵和深刻的社会批判性,其意义值得探讨。
This thesis points out that Fujian dramatist CHEN Renjian＇s traditional theatrical adaptation After the Reunion is the outstanding representative in the reform of traditional Chinese Opera in ＂17 years＂. Although with the increasing spread of leftist ideology, the author had to partially accept political tools discourse reconstruction, and make several changes on After the Reunion. But the play always adhere to the position of the Enlightenment, showing rich connotation of human nature.
出处
《莆田学院学报》
2013年第3期98-101,共4页
Journal of putian University
关键词
陈仁鉴
莆仙戏
团圆之后
五四启蒙思想
戏曲改革
CHEN Renjian
Puxian Opera
After the Reunion
May Fourth enlightenment thought
opera reform
