摘要
摄影的诞生不是偶然的科学发明,它是人们再现心理漫长历史探索的必然结果。对摄影史的考察和研究不应该只是追溯到达盖尔,而应该从大众再现心理的角度去追寻摄影话语产生的根源。特别是要注意摄影的诞生离不开文艺复兴焦点透视原则的普遍确立以及19世纪初大众心理对固定事物影像的需求。当光学、化学知识的积累与观念的需求相契合的时候,摄影术的发明也就水到渠成了。
The advent of photography is not an accidental scientific invention, but an inevitable result of the age-long human quest for representation. Rather than confine itself to Daguerre, a survey and study of the history of photography must search in man＇s psychological need for representation for the origin of the discourse of photography..Account must be taken of the fact that the advent of photography is inextricably bound up with the establishment of the Renaissance principle of focus lens and the early 19th century＇s call for photos of fixed objects. When the accumulation of knowledge in optics and chemistry met this ideological call, the invention of photography was only a matter of time.
出处
《美育学刊》
2013年第3期58-64,共7页
Journal of Aesthetic Education
关键词
摄影技术
再现观念
考古
摄影的诞生
the technology of photography
the idea of representation
archeology
the advent of photography.
