摘要
在1916年之前包天笑不仅翻译契诃夫作品的数量最多,而且他翻译了契诃夫晚期带有现代主义色彩的杰出作品《第六病室》,表现了五四新文学发生前全新的阅读旨趣和创作倾向。包天笑的译作《六号室》中的"狂人"形象以及觉醒者即"哲人"与"庸众"对立的母题极有可能影响了鲁迅的创作,特别是《狂人日记》。《六号室》的翻译语言为"新文体",有效且充分地表达了原著中具有现代主义色彩的思想。但译作中依然存在着包天笑本人对文本的操纵,尤其体现在对原著风格的改写上。
Bao Tianxiao not only translated most texts of Chekhov before 1916, but also completed a translation of Ward Six, Chekhov＇s novel written late in his life with a modernist flavor, which reflected the brand new reading purport and intrest and writing trend. ＂A Madman＂ and the leitmotif of the ＂Awakened＂ or ＂Philosopher＂ vs. ＂Ordinary Masses＂ in Bao Tianxiao＇s translation of Ward Six may arguably have influenced Lu Xun＇s writing, particularly his ＂A Madman＇s Diary＂. The language adopted in the translation of Ward Six was in a new linguistic style, which effectively and fully expressed the modernist ideas through the translation from the original text. However, Bao Tianxiao as a translator still showed his liberty in his translation, espe- cially in his adaptation of the style of the source text.
出处
《中国比较文学》
CSSCI
北大核心
2013年第2期74-84,共11页
Comparative Literature in China
