摘要
作为中国新时期重要的科幻作家,王晋康的作品在20世纪90年代曾占据中国科幻的半壁江山,《天火》、《生命之歌》等优秀力作感染了千千万万的青少年读者。进入21世纪,他依然笔耕不辍,创作了《替天行道》、《蚁生》、《十字》、《与吾同在》等情节跌宕、想象雄奇的作品,他以苍凉凝重的笔锋,以深邃、博大、锋利的思考引领读者,进入一个又一个幻想的世界。王晋康在潜心创作的同时,结合自身的创作经验,提出"核心科幻"的概念,对科幻创作理论提供了新的视角。本文力图对王晋康的创作历程进行整体的梳理和思考,为科幻文学这一处于中国文坛边缘化的文体进行拓展性研究。
Wang Jinkang,one of the most important writers in the new uprising period of Chinese science fiction after 1990s,is still a leading figure in the current generation.As a frequent winner of the Chinese Science Fiction Galaxy Awards,his science fiction stories likeThe Heavenly Fire（1994）,The Song of Life（1995）have won him thousands of readers both juveniles and adults.His writing career has continued,even prevailed,in the 21st century,in creating more brilliant works like Act for God（2001）,Living Like Ants（2006）,The Cross（2007）,and The Creator（2011）.His works have followed some recent scientific developments in various areas like physics and biology,and are featured for its melancholy style,rich plot,and what is more,the philosophical speculation.While writing,Wang Jinkang puts forward his own definition of＂Core Science Fiction＂,which provides insight in the theory of science fiction writing.This thesis attempts to hackle Wang Jinkang＇s writing career from the beginning,and gives a compact study on his works and ideas.
出处
《科普研究》
2013年第1期65-73,共9页
Studies on Science Popularization
基金
中国科普研究所"百年中国科幻精品赏析"(2012KPS10)
关键词
王晋康
创作道路
民族性
核心科幻
Wang Jinkang
writing career
nationalism
Core Science Fiction
