摘要
根据对以《礼部韵略》进行增修的两部韵书、以《礼部韵略》为基础加以编排的两部辞书和目前能见到的最早《礼部韵略》的版本——日本真福寺藏本的麻韵各小韵的排列次第的考察,可以看出:平声麻遮分韵始自《礼部韵略》(1037年)、上声马写、去声祃藉分韵始自毛晃增注、毛居正重增的《增修互注礼部韵略》(1162-1223年)。又根据麻遮分韵的发生地点,我们认为近代音初期的"中原"可能是以"汴京(开封)为中心的中原地区"。
Based on an examination of two rhyme books and two dictionaries -- the former are revisions and additions made to Libu Yunlue（礼部韵略） while the latter are compiled on the basis ofLibu Yunlue（礼部韵略） -- as well as the earliest available version of Libu Yunlue（礼部韵略） which is preserved in a Japanese temple called Shinpukuji（真福寺）, it can be seen that level tone of Ma Yun（麻韵） originated from the version of Libu Yunlue（礼部韵略） written in 1037, and that the rising tone ofMa Xie（马写） and the falling tone ofFeng Ji（祃藉） were derived from Zengxiu Huzhu Libu Yunlue（增修互注礼部韵略） made from 1162 to1223. In light of the place of the development of Ma Ytm（麻韵）, it can also be concluded that the so-called Zhongyuan（中原, meaning ＂Central Plains＂） at the early stage of modem sound system probably refers to the central plains centered in Pianjing（now Kaifeng）.
出处
《语言研究》
CSSCI
北大核心
2013年第2期26-32,共7页
Studies in Language and Linguistics
