摘要
1928年出版的赵元任《新诗歌集》,是一次将诗歌和音乐结合的大胆尝试。它们在给听众带来全新的听觉体验的同时,也将其极具感染力的音乐特性赋予了那些作为歌词的新诗作品;那些作品借助于曲调,同样给予接受者另一向度的听觉感受。这种诗与乐的结合,促动诗人们郑重地重新思考新诗的音韵问题,探掘语言中"乐"的成分。这部独异的诗歌集,从一个侧面展现了1920年代诗人们为新诗音律所作的努力及其达到的艺术成就,为20世纪新诗格律问题的探索写下了可贵的一笔。
Zhao Yuan-ren＇s New Poetry Collection published in 1928, was a bold attempt of the combination of po- etry and music. The poems brought the audience a new auditory experience and at the same time the infectious mu- sic characteristics were applied to those new works as poems. With the help of melody, the works also gave recipi- ents the other dimensions of auditory perception. This combination of poetry and music led poets to seriously re- think phonological problems of modern poetry and explore ＂music＂ components in the language. To a certain ex- tent, this unique collection of poems showed the efforts made by poets in the 1920s in poetry rhyme and their artis- tic achievements and made great contributions to the exploration of the problem of the metrical pattern of new poet- ry in the twentieth century.
出处
《常熟理工学院学报》
2013年第1期14-21,共8页
Journal of Changshu Institute of Technology
关键词
赵元任
《新诗歌集》
听觉
格律
Zhao Yuan-re
New Poetry Collection
auditory
poetical meter
