摘要
本雅明的"灵韵"(Aura)思想富于暧昧性与含混性。"灵韵"虽不是本雅明的首创,但却是在他那里发展丰富起来的,在视觉文化的关照下,其"灵韵"(Aura),呈现出两种特征。其一",灵韵"在时间上的视觉关联性特征;其二",灵韵"在空间上的视觉距离性特征。伴随着"读图时代"的到来,机械复制更加突出,世界正变得越来越图像化,然而"灵韵"还是变相地存在着。
Abstract： Benjamin＇s aura is full of ambiguity. He is not the first person to use Aura, but it is much developed through his efforts. This paper tries to organize the main idea of aura and interpret its esthetics implication, then focuses on the aesthetic association between aura and its visual dialecties, which highlights the theory of visual culture in Benjamin＇s aura.
出处
《东方论坛（青岛大学学报）》
2013年第1期48-53,共6页
Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）
关键词
本雅明
灵韵
视觉
辩证法
Benyamin
aura
sense of sight
dialectics
