摘要
关于作为美学的诗学的当代转型虽然众说纷纭,但有一种判断被基本认同。这就是从"神圣性"到"世俗化"的转向。如果说古典诗学属于崇尚神圣的思想领域,那么对世俗性的全面接受则早已成为当代诗学的最大特点。如何认识这种转变的意义?怎样把握其思想的学理依据?对这些问题的澄清显然关系到当代诗学与美学的顺利发展。深入地看,解决问题的症结所在,是对作为生活世界基本品质的"日常性"的重新认识。这意味着现代诗学的根本依据,在于日常性中所蕴涵的超越性,从中呈现出一种神圣与世俗"二位一体"的"存在的张力"。这是我们有效认识现代诗学理论基础的一个视角。
The contemporary transformation of poetics as aesthetics has elicited a wide spectrum of opinions, but one judgment is generally accepted--from “sacredness” to “secularization”. If classical poetics falls into the ideological field which upholds sa- credness, the total acceptance of secularity has already become one feature of contemporary poetics. How to understand the sig- nificance of such a transformation？ How to comprehend its theoretical basis？ The identification of these questions obviously has a bearing on the smooth development of contemporary poetics and aesthetics. In depth, the key to the questions lies in the re- recognizing of “everydayness”-the basic quality of life world. It indicates that the fundamental basis of modern poetics is the transcendence in everydayness, which reflects“the existent tension” of sacredness and secularity as “two in one”. This is an ef- fective perspective for us to understand the theoretical foundation of modem poetics.
出处
《杭州师范大学学报（社会科学版）》
CSSCI
北大核心
2013年第1期43-61,共19页
Journal of Hangzhou Normal University(Humanities and Social Sciences)
基金
国家社会科学基金项目"审美正义论:伦理美学的基本问题研究"(07BZX066)的研究成果
关键词
美学
神圣化
日常性
审美之维
aesthetics
sacredness
everydayness
aesthetic dimension
