摘要
从音乐学的视角,对中西文化语境中有关社会性别的表述做一全景观照,并对二者之间的关系与异同作以分析,也许可以通过在对西方理论的深度阐释与对中国式学术思维、中国式研究对象的深入理解的基础上,探讨社会性别理论之于我国音乐文化研究的意义与目的。
From the perspective of musicology,this thesis takes an overall examination of expressions related to social gender in Chinese and Western cultural contexts,analyzing their relation,similarities and differences. Based on deep elaboration of western theories and deep understanding of the modes and objects of Chinese academic thinking,this thesis tries to probe into the meaning and purpose of the social gender theory for the research of Chinese musical culture.
出处
《华东师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2013年第1期147-150,156,共4页
Journal of East China Normal University（Humanities and Social Sciences）
关键词
社会性别
差异
西方建构
中国语境
音乐学表述
social gender,difference,western construction,Chinese context,musicological expression
