摘要
作为一代文学之胜的宋词发展流变是一个充满矛盾同时也是充满了活力的进程:在审美观念上,虽然雅化潮流成为一种强势往前推进,但是,俗词的创作传播作为一种源于市井民间的活力涵养着词的生命肌体;理性上的拒斥与实践的热衷这一心理矛盾使宋词从政治教化的重负中逃逸出来,保持一种感性鲜活的审美品质;执着悲哀与超越悲哀两极的情感趋向冲撞对流衍化出宋词丰富多采的审美形态;在性别上,一种整合了双性特点的的抒情范式使宋词具有了更为隽永的滋味;文体上虽有尊体与破体之辩,但在创作实践中,词的破体而行却为词带来了多元多姿的审美风貌;风格上婉约与豪放的消长变化这组过去探讨的最多的矛盾则更多的和以上五组矛盾有着密切的关联。
The developing process of Song Ci was full of contradicts and vigor. From the aesthetic perspec-tive, the Song Ci from the ordinary people showed great vigor, though the main force for Song Ci develop-ment was the elegant trend; the rational decline and the energetic practice made Song Ci escape from the po- litical context, and a vivid aesthetic characteristics was shown at the same time. Various aesthetic forms came from contradicts between the sadness of persistence and transcend. The lyrical paradigm of both gen- ders made Song Ci more tasteful. The noble style and the unusual style both brought various aesthetics to Song Ci though there was argument between the noble and the unusual. The frequently studied contradict be-tween the graceful school and the unconstrained school was closely related to contradicts discussed before.
出处
《曲靖师范学院学报》
2012年第6期34-41,共8页
Journal of Qujing Normal University
关键词
宋词
创作观念
文化心理矛盾
美学体征
Song Ci
composing idea
psychological contradicts of cultures
aesthetic characteristics
