摘要
在西方文化传统中,技术与身体曾先后经历了祛魅与复魅的两个独特过程。现象学在技术与身体的复魅过程中扮演了极为重要的角色,是现象学的态度和深刻反思精神赋予了技术与身体极为深广的文化内涵。当代哲学、社会学和人类学研究正是从现象学中获得深刻启发,对技术和身体进行了极富深度的探讨。设计史叙事正可以从这些探讨中创造性地汲取思想资源,把技术和身体作为设计史叙事的两个重要维度。这种探索必将对当前设计史叙事的整体面貌产生较为重大的影响。
In the tradition of western culture, technique and body have experienced two unique processes of de-enchantment and re-enchantment. In the re-enchantment of technique and body, phenomenology played an important role, the attitudes and reflective sprits of phenomenology give them broad and profound cultural meanings. In current time, philosophy, sociology and anthropology acquired inspiration from phenomenology, and had to carry out many important researches about technique and body. Narrative of design history should derive thoughts from these researches, and take technique and body as two important dimensions. This kind of explores will change the current narrative landscape of design history remarkably.
出处
《创意与设计》
2012年第6期50-60,共11页
Creation and Design
基金
第52批中国博士后科学基金资助项目"设计文化的人类学视角:当代西方设计人类学思想研究"(项目编号:2012M520871)的阶段性成果
关键词
技术
身体
设计史叙事
维度
现象学
Technique
body
Narrative of design history
Dimension
Phenomenology
