摘要
文体辨析是汉魏六朝文学批评的基本前提 ,而其学术渊源则来自《七略》和《汉书·艺文志》。二书“辨章学术 ,考镜源流”的思想 ,对汉魏六朝时期的文学、史学乃至佛学 ,都产生了极大的影响。此时期的文学家、史学家和佛学家无不在这一学术思想指导下工作 ,并因此构成了本时期主要的学术背景。在这个背景中开展的文学创作和批评 (包括总集编纂 ) ,都鲜明地带有追溯源流的特征。它不仅使文体辨析更趋细致、周密 ,而且各文体源流有自 ,对纠正当时写作体例混乱、文本不明等时风末弊 ,起到了良好的指导作用。
Literary discrimination began with Qi lue (Seven Outlines) and the Yi wen zhi (Literature) chapter of Han shu (The History of the Han Dynasty), which had a tremendous influence on literature, history and Buddhism in the Han, Wei and Northern and Southern Dynasties periods. Writers, historians and Buddhists all worked on the basis of academic concepts, and built up a background of learning in which writing and literary criticism were traced to their origins.
出处
《中国社会科学》
CSSCI
北大核心
2000年第2期145-153,共9页
Social Sciences in China
