摘要
五四时期,新青年形象日趋单一,并逐渐凝固为稳定的"五四模式",自由和爱情作为被新文学建构出来的隐喻和象征,成为社会批判的重要工具和途径。冯沅君早期作品集《卷葹》,在价值体系和叙事模式两方面所呈现出的"五四模式"中却存在着巨大的文本裂隙,这其中既包括"爱情"与"自由"之间阐释的循环,也包括被文学作品所塑造出来的共通经验与个人经验之间的矛盾和落差。作为一部典型的独具时代特色的文本样式,对它的厘清与阐释,有利于深入解读"五四模式"形成的原因及其演变的过程。
During the May 4th Movement period,the images of ＂New Youth＂ gradually became more simplified and were finally fossilified into The May 4th Pattern.Freedom and love as a metaphor and symbol constructed by the New Literary became an important tool of social criticism.However,Feng Yuanjun＇s Juanshi displayed great disparity between the value system and the narrative mode as a kind of May 4th Pattern.The huge text fissure included not merely the hermeneutic circle of ＂love＂ and ＂freedom＂,and also the contradictions and differences of common experiences and personal experiences.As a typical text showing the characteristics of the times,the analysis of it would be advantageous to interpret the cause and evolution of the May 4th Pattern.
出处
《河南大学学报（社会科学版）》
CSSCI
北大核心
2013年第1期106-111,共6页
Journal of Henan University(Social Sciences）
关键词
冯沅君
《卷葹》
五四模式
新青年
文本裂隙
Feng Yuanjun
Juanshi
The May 4th Pattern
New Youth
text fissure
