摘要
从女权主义话语的视角对莫里森的小说《柏油孩子》进行关照,诠释小说中体现女权主义话语的"黑色"声音、黑人女性文化身份的认同与颠覆以及消解、重构黑人女权主义话语的路径——喻指。小说以人名、物名、地名喻指白人文化主导下黑人女性的生存境遇,折射出黑人妇女在追求自我解放的过程中从"迷失自我"到"彰显自我"的成长之路,形成了独具特色的女权主义话语叙述风格。
This paper probes into Morrison＇s Tar Baby from the perspective of the feminism discourse,and interprets American black women＇s voice embodying feminism,their identification and subversion of cultural status and their approach reflecting the digestion and reconstruction of the black feminist discourse-metaphorical images.In this novel,Toni Morrison creates many black women＇s images and usually signifies the living circumstances under the American white people＇s dominant culture,which black women go through,by the metaphorical means of the names of people,places,or things.This novel shows the course of black women＇s growth in the pursuit of individual liberation from ＂losing themselves＂ to ＂manifesting themselves＂,representing her peculiar style of the feminism discourse.
出处
《沈阳农业大学学报（社会科学版）》
2012年第4期509-511,共3页
Journal of Shenyang Agricultural University(Social Sciences Edition)
