摘要
在战后香港,左翼人士利用其和平环境对毛泽东的《讲话》精神进行了全面阐释和宣传。工作之一就是针对《讲话》中的文艺"向工农兵普及",积极实行文艺大众化的实践和对小资产阶级知识分子出身的文艺作家的思想改造。此时作家的思想改造主要表现为来自外部的左翼人士的文学批评和来自内部的对自己思想与创作的自省。拟以当时香港文坛的一份重要刊物——《文艺生活》月刊为主要考察对象,回到历史现场,重新审视小资产阶级知识分子作家在"天下大变"的历史转折关头为避免被抛弃而采取的姿态以及姿态背后的心态。
In postwar Hong Kong,with its peaceful environment,leftists undertook comprehensive interpretation and publicity on Mao Zedong’s ＂the speech＂ spirit.For ＂the speech＂ means literary ＂popularity of the workers,peasants and soldiers＂.One of their works was actively implementing the practice of the Popularization of Arts and ideological transformation of the men of letters from petty-bourgeois intellectuals.At that time,the writer’s ideological transformation mainly performed leftwing literary criticism from outside and inside their own ideas and creative self-reflection.As an important publication of the Hong Kong literary scene at that time,＂Literary Life＂ magazine is used as the main object for inspection in this paper.The attitude and the attitude behind the mentality of petty-bourgeois intellectuals were re-examined at the turning point in the history of the world change to avoid being abandoned.
出处
《广东海洋大学学报》
CAS
2012年第5期58-64,共7页
Journal of Guangdong Ocean University
关键词
战后香港
小资产阶级知识分子
思想改造
《文艺生活》月刊
《讲话》
postwar Hong Kong
petty-bourgeois intellectuals
ideological transformation
Literary Life Magazine
The Speech
