摘要
高台教化是中国古典戏曲美育功能的一个重要方面,它是在诗统观的背景下形成的,是对戏曲所承担的社会责任的具体要求,是对诗教化的承袭。以歌舞演故事的戏曲在实施高台教化的美育功能之时又有其自身独具的优势,并显现其感人深、化人速的独到之功效。
The opera moralization, which is formed under the background of the poetry tradition, is an essential aspect of the aesthetic education of traditional Chinese operas. It is the specific request of operas＇ social responsibility and the inheritance of the poetry moralization. The operas that tell stories by singing and dancing have their own advantages in implementing their aesthetic education, and demonstrate their unique artistic effects of deep touching and rapid humanizing.
出处
《青岛大学师范学院学报》
2012年第2期70-75,共6页
Journal of Teachers College Qingdao University
关键词
中国戏曲
戏曲美育
诗教化
高台教化
traditional Chinese opera
the aesthetic education of opera
poetry moralization
opera moralization
