期刊文献+

审美联觉在声乐作品中的效用——以普朗克的《爱情之路》为例

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摘要 审美联觉是指审美感觉活动中一种感觉兼有另一种或多种感觉的现象,其基本心理结构是联觉,它可以将一种感觉转换成多种感觉,丰富、生动地表现音乐艺术。本文以法国作曲家普朗克的《爱情之路》为例,从音高、音长、音强等角度出发,深入形象地分析它们与情态兴奋性之间的联觉效应在此曲中的巧妙运用。
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出处 《大舞台》 北大核心 2012年第6期53-54,127,共3页
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