摘要
潮州大锣鼓的演奏形式从乐器种类和乐队编制的角度看,更接近于民族管弦乐合奏形式。该形式自形成以后,就已具有较为完备的声部配置和乐器组合,与民族管弦乐合奏不同的是:各声部的配置和乐器组合还不够规范和完整,使该演奏形式在音响效果方面缺乏均衡,音乐作品内容表现乏力。当今,潮州大锣鼓演奏形式的改革发展势在必行,向民族管弦乐合奏形式发展是该形式发展的最佳选择。
The performance of Chaozhou big gongs and drums is very much close to the form of traditional orchestra ensemble from the point of view of its types of instruments and configuration. From beginning, this kind of performance had integrated music parts and instrumental groups. The difference from the traditional orchestra ensemble is incomplete parts and non-standard combination which make its performance unbalance and lack of expression. Nowadays, it is imperative for Chaozhou big gongs and drums to develop and reform its performing form, and the best choice for its development is to assimilate the performing form of the Chinese traditional orchestra.
出处
《星海音乐学院学报》
CSSCI
2012年第2期12-15,共4页
Journal of Xinghai Conservatory of Music
关键词
潮州大锣鼓
民族管弦乐
乐器改良
演奏形式
Chaozhou music of big gongs and drums
Chinese traditional orchestra music
reform of instruments
performing form
