摘要
胡风文艺思想中包含着深刻的读者意识,却一直未曾得到关注和阐发。在"大众语"建设、大众文艺、民族形式的讨论以及文艺批评实践中,胡风无不表现出对读者问题的极大关注。与左翼主流臆断大众读者的接受属性,提倡以迎合的态度投其所好,以便达成政治功利目的相反,胡风更为维护大众读者作为实践个体的积极能动的主体性,并主张以符合现实主义和审美主义精神的作品促其进步,以免其跌入封建主义和教条主义的泥潭。在胡风读者意识的背后,潜隐着与现代接受美学之宗旨相似的人道主义精神,这无疑为胡风理论及本人命运的悲剧埋下了伏笔。
Hu Feng＇s literary ideas included profound consciousness of reader.But it has not been emphasized and elucidated.In the discussion of construction of people＇s language,people＇s literary,national form and literary critical,Hu Feng paid more attention on the reader.Left wing forejudged reader＇s attribution of reception and advocated cater to reader to realize target of political.Hu Feng did not agree Left wing＇s opinion.He protected reader＇s entity as practical individual and proposed to promote reader with works fit realism and aestheticism spirits to help reader avoid falling into trap of feudalism and dogmatism.The spirits of humanism similar to modern acceptance esthetics hide into the reader concept of Hu Feng which leaded to the doom of Hu Feng and his theory.
出处
《福建师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2012年第2期95-102,共8页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
胡风文艺思想
读者意识
人道主义
Hu Feng＇s literary ideas
concept of reader
humanism
