摘要
在中国陶瓷史研究中,国内外诸多陶瓷学者都把越窑放在十分重要的突出地位,特别是中国周边的学者,比如日本学者就将浙江青瓷称作"大越窑"。长期以来,越窑被认为"诸窑之冠"地位神圣不可动摇,越窑一叶障目的现象不可忽视。笔者试图选择从横向维度"关于越窑是‘青瓷之源’的观点及其质疑"和纵向维度"越窑只是代表浙江青瓷其一个时代其产品的特色与文化,浙江青瓷文化是多元文化"进行探讨、研究和分析,从而重新审视并端正"越窑"在浙江青瓷中的地位,辨析两者之间的关系。
During the research on the history of pottery and porcelain,many scholars both here and abroad,specially the scholars aside of China,place prime emphasis on the Yue Kiln.For example,all Japanese Scholars call＂the Big Yue Kiln＂instead of＂the Celadon in Zhejiang＂.The status of the Yue Kiln has been considered sacred and unshakable for a long time.The phenomenon that one cloud is enough to eclipse all the sun shall not be ignored.Above all,the writer tries to raise a query into an academic viewpoint that the Yue Kiln is the source of Celadon,then expresses an opinion that the Celadon in Zhejiang just represents the characteristics and culture of time and it is a multi-cultural phenomenon.In view of the opinions mentioned above,the author attempts to explore,research and analyze next.At last,the writer hopes to achieve a goal that more people can reexamine the status of the Yue Kiln in the Zhejiang Celadon and analysis the relationship.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2012年第2期73-76,共4页
China Ceramics
关键词
越窑
青瓷
地位
龙窑
the Yue Kiln
the Celadon
status
the Dragon Kiln
