摘要
好莱坞灾难电影以景观叙事的方式建构了虚拟的危机情境与转危为安的"神话"模型,在视听的快感冲击与生存的忧虑恐惧中,凭借受众的日常消费最终完成了意识形态的控制与文化意义的流通。在这个传播过程中,社会权力、经济利益、文化价值、审美超越等多重向度的诉求盘根错节,被奇妙地拼贴与糅合,形成了彼此抵牾、又互相生成的内在机制,为当代大众文化研究提供了一个典型的样本。
With the help of landscape narration,Hollywood movies successfully construct virtual disastrous situations and corner-turning mythical models and finally complete control of ideology and circulation of cultural meaning in impact of visual attack and terror of surviving anxiety by means of the audience＇s daily consumption.In this course of dissemination,mutally-contradicting and mutually-generating internal mechanisms are shaped by excellently patching up and blending multiple demands of social power,economic interests,cultural values and aesthetic excision.This practice offers a typical sample for study of public culture in present days.
出处
《陕西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2012年第1期116-124,共9页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社会科学基金项目(09CXW008)
关键词
好莱坞灾难电影
娱乐化传播
景观叙事
Hollywood disaster movies
entertainment dissemination
landscape narration
