摘要
在后殖民时代的社会背景下,形象学中的"异国"形象研究应该扩展为"异质文化形象"研究。后殖民主义作家所接受的文化已不单纯是母国文化,他们笔下的母国形象既不属于自塑的传统形象学,也不属于他塑的异国形象范畴,而属于异质文化形象。它的意义在于能够反映出后殖民文化的混杂性、矛盾性,是作者文化身份和文化立场的体现,是后殖民文化混杂的结晶。
Under the social background of post-colonialism,the study focus on foreign image in imagologie tends be transferred to heterogeneous cultural image.The culture acceptable to post-colonial writers is far beyond mother country culture.From their perspective mother country image is neither the study of self-constructed traditional imagologie nor the study scope of he-constructed foreign image,which reveals the complexity and contradiction of post-colonial culture,representing the author＇s cultural standpoint and it is the symbol of post-colonial cultural complexity.
出处
《天津师范大学学报（社会科学版）》
CSSCI
北大核心
2011年第6期58-62,共5页
Journal of Tianjin Normal University(Social Science)
基金
教育部人文社会科学研究项目(10YJC752009)
关键词
后殖民
异国形象
异质文化形象
形象学
post-colonialism
foreign image
heterogeneous cultural image
imagologie
