摘要
经过二十多年的努力,朱志荣教授初步建构了以审美关系和审美活动为基础,以主体情意为核心,以"神合体道"为统摄,以主体创造性为旨归,"言""象""神""道"为一体的意象创构论美学观。囿于学理思考等原因,朱志荣审美意象观还存在概念内涵不明确等问题。在将中西方等各种思想资源相融通的过程中,他对中外相关思想的分析和吸收时有先入为主之失,这在某种程度上弱化了其审美意象观的普遍有效性。
Through the effort of more than 20 years,professor Zhu has been constructed an aesthetics theory(named Creation and Configuration by Image),which based on aesthetic relations and aesthetic activity,centered on emotion and creativity and aimed with the guide of 'Spirit consistent with Tao','Words' ' image''spirit' and'Dao' is the principal part to the theory.Due to the academic thinking and other reasons,Zhu Zhirong's aesthetics theory has ambiguous concepts yet to be solved.Some contradictions exist in the blending of western ideological resource and China's,which to weaken its generally effective value owing to his first impression on western relevant thoughts.
出处
《艺术探索》
2011年第5期67-72,144,共6页
Arts Exploration
关键词
审美意象
概念内涵
逻辑起点
学理背景
对策
aesthetic image
concept and connotation
the logical starting point
theory background
countermeasure
