摘要
写意人物画以其独特的意象造型和笔墨表现手法,具有独特的审美功能。作者所要表现的主观意识规定着艺术形象与客观形象之间的"形似"程度。意象造型的前提是尊重客观对象,在此基础上发挥作者的主观能动性,从自身的审美情趣出发,塑造出既类似客观生活形象,又高于生活原型的艺术形象,从而表达出作者自身的思想感情。如何处理笔墨和造型的关系始终是制约写意人物画发展的瓶颈。在能熟练掌握"书写性笔墨"后,笔墨语言能否与具象人物合理融合,关键在于画家的造型水准及熟练程度。
Figure painting of freehand brushwork,with its unique image modeling and ink expression,makes its unique aesthetic function.The authors have to be subjectively conscious with artistic image and objective image of ＂similar in shape＂ between degrees.Imagery is the premise of modeling object,on the basis of the author＇s subjective initiative,play from their own aesthetic temperament and interest of both objective,model a life like image,but higher than the life of the prototype artistic image,expressing the author＇s own thoughts and feelings.How to deal with the relationship between the words and modeling is always the bottleneck of restricting freehand brushwork in traditional Chinese painting figure painting development.After an acquai-nted master of ＂writing ink painting language＂,whether the pa-inting language can reasonably integrate with synthetic image lies in the painter＇s modeling level and proficient level.
出处
《科教文汇》
2011年第25期148-149,共2页
Journal of Science and Education
关键词
写意人物画
笔墨
意象造型
创新
figure painting of freehand brushwork
ink
image molding
innovation
