摘要
该隐是西方文学传统中的一个经典形象。这一人物首先出现在《圣经》里,他是人类始祖亚当和夏娃的长子,也是杀死自己弟弟亚伯的凶手,因此他被称为人类有史以来的第一个杀人犯。自此以后,该隐就被打上了罪与恶的印记,在《圣经》里也形成了邪恶的该隐传统。拜伦的诗剧《该隐》却赋予了该隐一个英雄的形象,更确切地说,是拜伦式英雄的形象。这一形象与传统的邪恶该隐形象截然相反。通过该隐形象的转型来揭示拜伦的上帝观及恶魔观,从而探讨拜伦及其作品的反传统性。
Cain is a classic image in the western literary tradition. As he kills his brother Abel, he is called ＂the first murderer of human being＂. From then on, Cain is marked with sin and evil, and it also forms the evil Cain tradition in the Bible. But Byron＇s poetic drama Cain gives another image to this person, in detail, a Byronic here＇s image, which is quite different from the traditional evil one. Byron＇s attitudes towards God and evil were analyzed from the transformation of Cain＇s image, and then the anti-tradition of Byron and his works were explored.
出处
《重庆交通大学学报（社会科学版）》
2011年第5期68-71,共4页
Journal of Chongqing Jiaotong University:Social Sciences Edition
关键词
该隐传统
邪恶
上帝观
恶魔观
反传统
Cain tradition
evil
attitude toward God
attitude toward evil
anti-tradition
