摘要
张永清认为,马克思主义文学理论在当代面临严峻挑战,亟需构建马克思主义文学批评的当代形态,这就需要重视文学批评的理论建设与创新,加强对马克思主义文学批评史的研究,切实恢复马克思主义文学理论的实践性,等等。江守义认为,马克思主义文学批评有"美学标准"和"历史标准"两个方面,后来的马克思主义经典作家则主要继承发展了历史标准方面的内容,并将其演变成文艺政策,此一现象应引起我们的审视与反省。胡亚敏认为,马克思艺术生产论提出的艺术生产不仅具有商品属性、更具有审美属性的这一论断,在今天具有强烈的现实针对性,清醒地认识艺术生产的这一特殊性,对当代中国文坛十分重要。
Zhang holds that Marxist literary theory and criticism are facing with a current challenge, and is in urgent need of its theoretical innovation by reconstructing a contemporary morphology. It is important to enhance the study on the history of Marxist literary criticism and to resume its nature of praxis. Jiang believes that Marxist literary criticism has two standards of ＂aesthetics＂ and ＂history＂. But later classical Marxist authors mainly inherited and developed its historical standard, and changed it into a policy. This phenomenon should arouse our re-examination and introspection. Hu holds that the Marxist theory of the production of art proposes that the production of art not only has a feature of commodity but also has the feature of aesthetics. This assertion has a strong realist aim. So, it is very important for the Chinese literary circle to acknowledge this special nature of the production of art.
出处
《学术月刊》
CSSCI
北大核心
2011年第10期105-109,共5页
Academic Monthly
