摘要
种种迹象表明,楚文化已成为曹雪芹《红楼梦》创作的重要文化基石。无论是充斥于小说字里行间的悲情意蕴,还是曹雪芹在"以悲为美"审美观念指导下为小说所设置的悲剧结局;抑或曹雪芹在楚文化"女性中心观"指导下对宝玉"女儿"身份及其女性崇拜意识的一再强调;以及黛玉这一形象身上所流露出来的带有浓郁感伤气息的楚风流韵,都显示出楚文化所特有的审美情韵对《红楼梦》的多维浸润。
According to various existing evidences,the Chu culture is the important cultural foundation for Cao Xueqin to create The Dream of Red Mansions.Specifically,the Chu culture is embodied in the following aspects such as the tragical expression in the novel,the tragical ending of the novel guided by Cao Xueqin＇s conception of ＂taking tragedy as the creation principle＂,his continuous emphasis of Jia Baoyu＇s female identity and the consciousness of female worship,and his description of Lin Daiyu＇s strong sentimental image.
出处
《南都学坛（南阳师范学院人文社会科学学报）》
2011年第5期47-51,共5页
Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
基金
国家社科基金项目"明清小说文本形态的生成与演变研究"
项目编号:11CZW042
关键词
曹雪芹
《红楼梦》
楚文化
渊源
Cao Xueqin
The Dream of Red Mansions
Chu culture
origin
