摘要
日本动画模式漫画→动画→电影→衍生品是动画创作的良性循环路线,其基础是漫画连环画创作。中国目前主要有两种动画造型风格,民族元素人物造型与大头娃娃式造型,这两种造型风格适合于古代题材、儿童题材的创作,但缺少现实题材人物造型的能力。
Japanese animation model follows the virtuous circle of cartoon, animation, film and their bypoducts, whose founda- tion is cartoon and comics creation. However, in China cartoon and comics have faded out. Humor, originality and imagina- tion, which used to serve as the platform for cartoonists to bring their wisdom in full play, now are given too many responsibili- ties and have evolved into multi-frame graphic illustrations of literary works. There are two major styles of animation shape de- sign in contemporary China. One is character design for cultural images, and the other is ＂big-headed boy＂ design for ancient and children themes. What is lost in Chinese animation is the competence of designing characters for realistic themes. However, we can see the competence in the predecessors＇ comics.
出处
《杭州师范大学学报（社会科学版）》
CSSCI
北大核心
2011年第4期122-128,共7页
Journal of Hangzhou Normal University(Humanities and Social Sciences)
基金
教育部人文社会科学2010年度规划项目"中国动画的主要缺失与对策研究"(项目编号:10YJA760028)的研究成果之一
关键词
观念
摹仿
苯拙画
连环画
conception
imitation
Punch cartoon
comics
